Commentary on William Thomson's "Pitch Frames as Melodic Archetypes"
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Date
2006-04
Authors
Journal Title
Journal ISSN
Volume Title
Publisher
Empirical Musicology Review
Abstract
While the concept of the perceptual “pitch frame” resembles leading theories of pitch structure in music in some respects, it contains some innovative elements that are discussed in this commentary. Additionally, the commentary focuses on the question of whether the “pitch frame” is a temporal or atemporal construct.
Description
Keywords
perception, tonality, modality, melody, harmony, pitch space, temporal
Citation
Empirical Musicology Review, v1 n2 (April 2006), 103-105