Introduction: Attending to form in medieval translation -- Why formes fixes lyric? -- Continental conversations about war, poetry, and the place of England in Francophone Europe -- The monolingualism of the other: Deschamps's Ballade to Chaucer and Chaucer's Prologue to the Legend of good women -- A dual language policy for Lancastrian England: John Gower's Trentham Manuscript and Thomas Hoccleve's Huntington holographs -- Laureall poete, grant translateur: John Shirley's and John Lydgate's Chaucers -- Coda: "Anglicatus in Balade".

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