Browsing Future Directions of Music Cognition by Issue Date
Now showing results 1-20 of 55
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Future Directions of Music Cognition 2021 Full Proceedings
( 2021-12-16 ) -
Sound and feeling: Musical training moderates the association between adult ADHD and emotion regulation
Tate, Michael; Greenberg, David M.; O'Neill, Sarah ( 2021-12-16 )This study investigated whether adults with ADHD ("Cases") regulate emotions differently than their non-ADHD peers ("Controls"), and whether this effect is moderated by the number of years of musical training. We predicted ... -
Hearing, seeing, liking: The effects of audio-visual listening conditions on perceptual ratings
Lopez, Gerardo; VanHandel, Leigh ( 2021-12-16 )This study investigates whether listening to an excerpt of music in audio-only or audio-video contexts affects perceptual ratings, and what the relationship of the context presentation is to perceptual ratings. Participants ... -
Dropping the bass: The relationship between heart rate and expectation in electronic dance music (A preliminary report)
Chen, Emily; Yohannes, Ellena; Burgess, Samantha; Shanahan, Daniel ( 2021-12-16 )The relationship between musical expectation and physiological stress has been examined with increasing frequency in recent years (Huron, 2006; Tarr, et al. 2016). Stress induced from either an unexpected musical event can ... -
Kuvunga: Timbre, interlocking, and composite melodies in Zambian Luvale ngoma
Winikoff, Jason Reid ( 2021-12-16 )This paper is an attempt to explicate the concept of "kuvunga," an important term to Zambian Luvale drummers. Drums kuvunga when they produce a composite melody. While these composites have long been understood as vital ... -
Section 3: Emotion Abstracts
( 2021-12-16 ) -
Information specification during singing: A theoretical approach to music performance
Delasanta, Lana J. ( 2021-12-16 )Self-organized systems emphasize Gibson's (1966) proposal that organisms and the environment are one coupled system. As a result, energy flow throughout the system allows its subsystems to utilize it in a meaningful way. ... -
Musical instrument, personality and interpretation: Music cognition at a college-conservatory
O' Connor, Rachel; Wu Fu, Puo (Roger) ( 2021-12-16 )Orchestral musicians have a tendency to stereotype one another based on their instruments. While research shows that musicians frequently hold these views of other players (Lipton, 1987), there is less research that links ... -
Evaluating Tenney's critical band using a computational model of the human cochlea
Fakhrtabatabaie, Ashkan; Jennings, Skyler G. ( 2021-12-16 )To understand and formalize the perceptual outcomes produced by certain orchestration techniques, researchers studying the psychology of timbre rely largely on combining the listeners perception reports with audio analysis ... -
Deployments of change and novelty in a corpus of popular music
White, Christopher Wm. ( 2021-12-16 )This paper considers aspects of form and texture in 20th-century American popular music using a corpus of textural/lyrical/vocal annotations added to the McGill-Billboard corpus (Burgoyne, 2012). The analysis tracks two ... -
A new auditory theory and its implications for the study of timbre
Maxwell, Braden N.; Fritzinger, Johanna B.; Carney, Laurel H. ( 2021-12-16 )A relatively new auditory theory describes how representations of the spectrum are transformed and sharpened in the early (below the cortex, or sub-cortical) auditory system (Carney, 2018). The current article introduces ... -
Regulating functional and hedonic emotions in the pursuit of musical practice goals
Madden, Gerard Breaden; Jabusch, Hans-Christian ( 2021-12-16 )Individuals can regulate their emotions in order to feel better and avoid feeling worse. However, individuals can also regulate emotions if doing so is believed to be beneficial to the pursuit of a goal. When pursuing a ... -
A new corpus of texture, timbre, and change in 20th-century American popular music
White, Christopher Wm.; Fulmer, Jeffrey; Cordova, Brian; Black, Alexandria; Danitz, Chloe; Evans, William; Fischer, Aidan; Greene, Rashaad; He, Jinhan; Kenyon, Emily; Miller, Joan; Moylan, Madeline; Ring, Abigail; Schwitzgebel, Emily; Wang, Yatong ( 2021-12-16 )This paper describes a new corpus of texture, timbre, and lyrical information within 20th century American popular music, parameters which recent research has suggested play crucial roles in how this music is consumed and ... -
Identifying Beatles songs from their chord progressions: New evidence of the effect of specialized harmonic familiarity, melodic cues, and transposition on the identification of songs from chord progressions
Kuusi, Tuire; Jimenez, Ivan; Schulkind, Matthew D. ( 2021-12-16 )Listener and musical factors influence the identification of songs from chord progressions. Having played and being able to write out the chords of the target song from long-term memory (hereafter, specialized harmonic ... -
Pitch cues to hierarchical metric structure in children's poetry
Breen, Mara; Fitzroy, Ahren ( 2021-12-16 )We investigated whether speakers use pitch to signal hierarchical metric structure in productions of Dr. Seuss's The Cat in the Hat, by modeling fundamental frequency (F0) of monosyllabic words as a function of metric ... -
Section 4: Pedagogy Abstracts
( 2021-12-16 ) -
Does cognitive load differ among sight-singers? An exploratory study using pupillometry and interviews
Pomerleau-Turcotte, Justine; Moreno Sala, Maria Teresa; Dubé, Francis; Vachon, François ( 2021-12-16 )Sight-singing is challenging for many music students, yet they can experience various difficulties with this task. To explore how cognitive load (CL) might differ among students, we combined two approaches: 1) a quantitative ... -
Post-tonal harmonic tension and theoretical hybridity
Teo, Yvonne ( 2021-12-16 )Despite the large body of research that has examined tonal and atonal harmonies to our perception of tension, there is no work that describes or explores the perception of post-tonal chords, but more specifically, chords ... -
Streaming complexity in the Renaissance Mass Ordinary cycle
Upham, Finn; Cumming, Julie ( 2021-12-16 )Complexity of a piece should also be related to its intended use and context. The Mass Ordinary cycles of 15th- and 16th-c. Europe were works of exceptional formal consistency, and if complexity is relevant to the role of ... -
Section 7: Timbre Abstracts
( 2021-12-16 )