Comics and the Body: Drawing, Reading, and Vulnerability

Please use this identifier to cite or link to this item: https://doi.org/10.26818/9780814214541

dc.creator	Szép, Eszter
dc.date.accessioned	2021-01-14T18:34:35Z
dc.date.available	2021-01-14T18:34:35Z
dc.date.issued	2020
dc.identifier.isbn	9780814214541 (print)
dc.identifier.uri	https://doi.org/10.26818/9780814214541
dc.identifier.uri	http://hdl.handle.net/1811/92306
dc.description.tableofcontents	The authentic line: Lynda Barry's What it is and Syllabus -- Cartoon bodies and transformative lines: Ken Dahl's Monsters -- Style as engagement: Joe Sacco's Safe area Goražde and The fixer -- Reading and the body: Miriam Katin's We are on our own and Letting it go -- Embodied interaction: Katie Green's Lighter than my shadow and Joe Sacco's The Great War.	en_US
dc.language.iso	en	en_US
dc.publisher	The Ohio State University Press	en_US
dc.relation.ispartofseries	Studies in Comics and Cartoons	en_US
dc.rights	Copyright © 2020 by The Ohio State University. This edition licensed under a Creative Commons Attribution-NonCommercial-NoDerivs License.	en_US
dc.subject	Literary Criticism / Comics & Graphic Novels	en_US
dc.subject	Social Science / Gender Studies	en_US
dc.subject.lcsh	Comic books, strips, etc. -- History and criticism	en_US
dc.subject.lcsh	Human body in literature	en_US
dc.title	Comics and the Body: Drawing, Reading, and Vulnerability	en_US
dc.type	Book	en_US
dc.rights.cc	Attribution-NonCommercial-NoDerivatives 4.0 International	*
dc.rights.ccuri	http://creativecommons.org/licenses/by-nc-nd/4.0/	*

Except where otherwise noted, this item's license is described as Attribution-NonCommercial-NoDerivatives 4.0 International