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dc.creatorSzép, Eszter
dc.identifier.isbn9780814214541 (print)
dc.description.tableofcontentsThe authentic line: Lynda Barry's What it is and Syllabus -- Cartoon bodies and transformative lines: Ken Dahl's Monsters -- Style as engagement: Joe Sacco's Safe area Goražde and The fixer -- Reading and the body: Miriam Katin's We are on our own and Letting it go -- Embodied interaction: Katie Green's Lighter than my shadow and Joe Sacco's The Great War.en_US
dc.publisherThe Ohio State University Pressen_US
dc.relation.ispartofseriesStudies in Comics and Cartoonsen_US
dc.rightsCopyright © 2020 by The Ohio State University. This edition licensed under a Creative Commons Attribution-NonCommercial-NoDerivs License.en_US
dc.subjectLiterary Criticism / Comics & Graphic Novelsen_US
dc.subjectSocial Science / Gender Studiesen_US
dc.subject.lcshComic books, strips, etc. -- History and criticismen_US
dc.subject.lcshHuman body in literatureen_US
dc.titleComics and the Body: Drawing, Reading, and Vulnerabilityen_US
dc.rights.ccAttribution-NonCommercial-NoDerivatives 4.0 International*

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Attribution-NonCommercial-NoDerivatives 4.0 International
Except where otherwise noted, this item's license is described as Attribution-NonCommercial-NoDerivatives 4.0 International