Making Conversation in Modernist Fiction
Please use this identifier to cite or link to this item: https://doi.org/10.26818/9780814214077
| dc.creator | Alsop, Elizabeth | |
| dc.date.accessioned | 2019-08-19T18:44:52Z | |
| dc.date.available | 2019-08-19T18:44:52Z | |
| dc.date.issued | 2019 | |
| dc.identifier.isbn | 9780814214077 (print) | |
| dc.identifier.uri | https://doi.org/10.26818/9780814214077 | |
| dc.identifier.uri | http://hdl.handle.net/1811/88235 | |
| dc.description.tableofcontents | Dialogue and its discontents -- The consensual voice: fantasies of reciprocity in James and Hemingway -- The exceptional voice: Joyce, Faulkner, and the dream of autonomy -- The paradoxical voice: Faulkner's and Woolf's implausible speech -- The choral voice: Woolf's and Stein's democratized talk -- Conclusion: What is the dialogue doing now. | en_US |
| dc.language.iso | en | en_US |
| dc.publisher | The Ohio State University Press | en_US |
| dc.relation.ispartofseries | Theory and Interpretation of Narrative | en_US |
| dc.rights | Copyright © 2019 by The Ohio State University. All rights reserved. | en_US |
| dc.subject | Literary Criticism / American / General | en_US |
| dc.subject | Literary Criticism / European / General | en_US |
| dc.subject | Literary Criticism / European / English, Irish, Scottish, Welsh | en_US |
| dc.subject | Literary Criticism / Semiotics & Theory | en_US |
| dc.subject.lcsh | American fiction -- 20th century -- History and criticism | en_US |
| dc.subject.lcsh | English fiction -- 20th century -- History and criticism | en_US |
| dc.subject.lcsh | Dialogue in literature | en_US |
| dc.subject.lcsh | Conversation in literature | en_US |
| dc.subject.lcsh | Modernism (Literature) | en_US |
| dc.title | Making Conversation in Modernist Fiction | en_US |
| dc.type | Book | en_US |
| dc.description.embargo | Item embargoed for five years | en_US |
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