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dc.contributor.advisorSchotter, Jesse
dc.creatorCummins, Alison
dc.date.accessioned2016-12-03T23:40:22Z
dc.date.available2016-12-03T23:40:22Z
dc.date.issued2016-12
dc.identifier.urihttp://hdl.handle.net/1811/79267
dc.description.abstractWriters of the modern and postmodern period experimented with new modes of narration and form, often borrowing from musical structures to inform their work. Two such authors are James Joyce and Samuel Beckett, who, in their works, mirror musical innovations made by Arnold Schoenberg and John Cage, respectively. Joyce and Beckett use the formal techniques of music in their literary works to arrive at an improved mode of communication.en_US
dc.language.isoen_USen_US
dc.publisherThe Ohio State Universityen_US
dc.relation.ispartofseriesThe Ohio State University. Department of English Undergraduate Research Theses; 2016en_US
dc.subjectmusicen_US
dc.subjecttwelve toneen_US
dc.subjectmodernismen_US
dc.subjectpost tonalen_US
dc.titleThe Languages of Music and Emotion in Joyce, Schoenberg, Cage and Becketten_US
dc.typeThesisen_US
dc.description.embargoNo embargoen_US
dc.description.academicmajorAcademic Major: Englishen_US


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