Show simple item record

dc.creatorAmell, Sam
dc.date.accessioned2016-07-05T02:48:33Z
dc.date.available2016-07-05T02:48:33Z
dc.date.issued2015
dc.identifier.citationEspaña Contemporánea: Revista de Literatura y Cultura, vol. 24, no. 2 / vol. 25, no. 1 & 2, (2015), 175-203.en_US
dc.identifier.issn0214-1396
dc.identifier.urihttp://hdl.handle.net/1811/77805
dc.language.isoen_USen_US
dc.rightsThis item may be protected by copyright, and is made available here for research and educational purposes. The user is responsible for making a final determination of copyright status. If copyright protection applies, permission must be obtained from the copyright holder to reuse, publish, or reproduce the object beyond the bounds of Fair Use or other exemptions to the law.en_US
dc.titleCamera as Consciousness: Gilles Deleuze's Time-Image in Post Civil War Spanish Film -- The Voyage Form, Cinema of Seers, Landscapes and Cityscapesen_US
dc.typeArticleen_US


Files in this item

Thumbnail

Items in Knowledge Bank are protected by copyright, with all rights reserved, unless otherwise indicated.

This item appears in the following Collection(s)

Show simple item record