Show simple item record

dc.creatorTyson, Lois, 1950-
dc.date.accessioned2006-05-05T16:55:52Z
dc.date.available2006-05-05T16:55:52Z
dc.date.issued1994
dc.identifier.isbn0814206263 (print)
dc.identifier.otherOCLC #28799269 (print)
dc.identifier.otherLCCN 93034069 (print)
dc.identifier.urihttp://hdl.handle.net/1811/6334
dc.description(print) ix, 169 p. ; 24 cm
dc.description.tableofcontentsAcknowledgments ix -- Introduction : Subjectivity, Psychological Politics, and the American Dream 1 -- 1. Woman as Fetish : Self-Reification and the Aesthetic Commodity in Edith Wharton's House of Mirth 17 -- 2. The Romance of the Commodity : The Cancellation of Identity in F. Scott Fitzgerald's Great Gatsby 40 -- 3. The Commodity Comes Home to Roost : Repression, Regression, and Death in Arthur Miller's Death of a Salesman 63 -- 4. Subject as Commodity Sign : Existential Inferiority on Trial in Thomas Pynchon's Crying of Lot 49 87 -- 5. Beyond Being and Nothingness : The Corporate Commodity in Joseph Heller's Something Happened 116 -- Conclusion : Commodity Psychology in American Literature and Culture 139 -- Notes 151 -- Bibliography 157 -- Index 167en
dc.format.extent14873940 bytes
dc.format.mimetypeapplication/pdf
dc.language.isoen
dc.publisherThe Ohio State University Pressen
dc.relation.ispartofseriesTheory and interpretation of narrative seriesen
dc.subject.lcshAmerican literature -- 20th century -- History and criticism -- Theory, etc.
dc.subject.lcshPolitics and literature -- United States -- History -- 20th century
dc.subject.lcshSubjectivity in literature
dc.subject.lcshPsychology in literature
dc.subject.lcshNarration (Rhetoric)
dc.titlePsychological politics of the American dream: the commodification of subjectivity in twentieth-century American Literatureen
dc.typeBook


Files in this item

Thumbnail

Items in Knowledge Bank are protected by copyright, with all rights reserved, unless otherwise indicated.

This item appears in the following Collection(s)

Show simple item record