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Please use this identifier to cite or link to this item: https://doi.org/10.18061/1811/52985

dc.creatorWiddess, Richard
dc.date.accessioned2012-09-13T02:00:20Z
dc.date.available2012-09-13T02:00:20Z
dc.date.issued2012-01
dc.identifier.citationEmpirical Musicology Review, v7 n1-2 (Jan-Apr 2012), 88-94en_US
dc.identifier.issn1559-5749
dc.identifier.otherEMR0000139a
dc.identifier.urihttps://doi.org/10.18061/1811/52985
dc.identifier.urihttp://hdl.handle.net/1811/52985
dc.description.abstractThis paper situates musical meaning in culture, addressing music as social symbol and as ongoing process of meaning creation. Three examples of non- Western musical practice are used to illustrate the embedding of musical meaning in cultural context. The performance of an Australian Aboriginal song is shown to exemplify the interdependence of song style and social structure as a matrix for the emergence of cultural meanings; an example of North Indian performance is adduced to demonstrate the multi-layered nature of meaning as embodied in musical performance; and an example of collective festival performance from Nepal illustrates ways in which the structure of musical performance can mirror local cultural forms. Each of the three examples lends weight to the idea that music's meanings are often non-linguistic and reflect foundational schemas that are specific to the cultures from the musics are drawn.en_US
dc.language.isoenen_US
dc.publisherEmpirical Musicology Reviewen_US
dc.relation.ispartofseriesEMR0000139aen_US
dc.subjectmeaningen_US
dc.subjectcultureen_US
dc.subjectcultural modelen_US
dc.subjectfoundational schemaen_US
dc.titleMusic, Meaning and Cultureen_US
dc.typeArticleen_US


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