Reaction, Anticipation and Accent in a Gravitational Pitch Space: Commentary on Ammirante and Thompson
Please use this identifier to cite or link to this item: https://doi.org/10.18061/1811/47561
|dc.identifier.citation||Empirical Musicology Review, v5 n3 (July 2010), pp 108-111||en_US|
|dc.description.abstract||Ammirante and Thompson’s intriguing article aims to enhance the ecological validity of their previous findings (Ammirante, Thompson, & Russo, in press) by using music-like melodic stimuli, rather than random pitch sequences. In line with this aim, I will briefly discuss three issues that may be taken into account in relating the motion-like qualities of melody to music and music-related behavior (finger tapping). First, I suggest how the authors’ hypotheses may be examined within a context in which tapping is affected by expectancies for a specific melodic continuation. Second, I discuss how timing and velocity changes associated with melodic distance and contour may give rise to a prototypical joint accent structure, integrating melodic, agogic and dynamic accent. Finally, I note a possible confound of melodic direction and tonality in Ammirante and Thompson’s stimuli, and suggest ways to examine the effects of these two dimensions separately.||en_US|
|dc.publisher||Empirical Musicology Review||en_US|
|dc.title||Reaction, Anticipation and Accent in a Gravitational Pitch Space: Commentary on Ammirante and Thompson||en_US|
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