Show simple item record

dc.creatorHagood, Taylor, 1975-
dc.date.accessioned2010-03-26T11:46:46Z
dc.date.available2010-03-26T11:46:46Z
dc.date.issued2010
dc.identifier.isbn9780814211212 (print)
dc.identifier.isbn0814211216 (print)
dc.identifier.otherOCLC #432653925 (print)en
dc.identifier.otherLCCN 2009032693 (print)en
dc.identifier.urihttp://hdl.handle.net/1811/45124
dc.description(print) xiii, 195 p. ; 24 cm.en
dc.description.tableofcontentsInduction : Joice Heth -- On secrecy, magic, and Black women playwrights -- The one-acts -- Exeunt : an illusionen_US
dc.language.isoenen_US
dc.publisherThe Ohio State University Pressen_US
dc.relation.ispartofseriesBlack performance and cultural criticismen_US
dc.subject.lcshAmerican drama -- African American authors -- History and criticismen_US
dc.subject.lcshAmerican drama -- Women authors -- History and criticismen_US
dc.subject.lcshAmerican drama -- 20th century -- History and criticismen_US
dc.subject.lcshOne-act plays, American -- History and criticismen_US
dc.subject.lcshSecrecy in literatureen_US
dc.subject.lcshMagic in literatureen_US
dc.subject.lcshHarlem Renaissanceen_US
dc.titleSecrecy, magic, and the one-act plays of Harlem Renaissance women writersen_US
dc.typeBooken_US
dc.description.embargoItem embargoed for five yearsen_US


Files in this item

Thumbnail

Items in Knowledge Bank are protected by copyright, with all rights reserved, unless otherwise indicated.

This item appears in the following Collection(s)

Show simple item record