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dc.creatorHagood, Taylor, 1975-
dc.identifier.isbn9780814211212 (print)
dc.identifier.isbn0814211216 (print)
dc.identifier.otherOCLC #432653925 (print)en
dc.identifier.otherLCCN 2009032693 (print)en
dc.description(print) xiii, 195 p. ; 24 cm.en
dc.description.tableofcontentsInduction : Joice Heth -- On secrecy, magic, and Black women playwrights -- The one-acts -- Exeunt : an illusionen_US
dc.publisherThe Ohio State University Pressen_US
dc.relation.ispartofseriesBlack performance and cultural criticismen_US
dc.subject.lcshAmerican drama -- African American authors -- History and criticismen_US
dc.subject.lcshAmerican drama -- Women authors -- History and criticismen_US
dc.subject.lcshAmerican drama -- 20th century -- History and criticismen_US
dc.subject.lcshOne-act plays, American -- History and criticismen_US
dc.subject.lcshSecrecy in literatureen_US
dc.subject.lcshMagic in literatureen_US
dc.subject.lcshHarlem Renaissanceen_US
dc.titleSecrecy, magic, and the one-act plays of Harlem Renaissance women writersen_US
dc.description.embargoItem embargoed for five yearsen_US

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