Show simple item record

Please use this identifier to cite or link to this item: https://doi.org/10.18061/1811/34106

dc.creatorLartillot, Oliver
dc.creatorToiviainen, Petri
dc.creatorEerola, Tuomas
dc.date.accessioned2008-09-05T13:01:38Z
dc.date.available2008-09-05T13:01:38Z
dc.date.issued2008-07
dc.identifier.citationEmpirical Musicology Review, v3 n3 (July 2008), 157-160en_US
dc.identifier.issn1559-5749
dc.identifier.otherEMR000045b
dc.identifier.urihttps://doi.org/10.18061/1811/34106
dc.identifier.urihttp://hdl.handle.net/1811/34106
dc.description.abstractThe article by Gómez and Herrera presents an original methodology, audaciously situated on a challenging junction between computer science, cognitive science and ethnomusicology. We hope expert ethnomusicologists will understand the experimental aspect of such a cross-disciplinary undertaking, and will pardon the potential imperfection in this computational attempt toward cross-cultural understanding. Despite the few shortcomings discussed in this commentary, we think the general methodology described in this paper is of high interest.en_US
dc.language.isoenen_US
dc.publisherEmpirical Musicology Reviewen_US
dc.subjectComparative analysisen_US
dc.subjectWestern musicen_US
dc.subjectNon-Western musicen_US
dc.subjectTonalen_US
dc.titleCommentary on "Comparative Analysis of Music Recordings from Western and Non-Western traditions by Automatic Tonal Feature Extraction" by Emilia Gómez, and Perfecto Herreraen_US
dc.typeArticleen_US


Files in this item

Thumbnail

Items in Knowledge Bank are protected by copyright, with all rights reserved, unless otherwise indicated.

This item appears in the following Collection(s)

Show simple item record