Commentary on "The Happy Xylophone: Acoustics Affordances Restrict An Emotional Palate" by Michael Schutz, David Huron, Kristopher Keeton, & Greg Loewer
Please use this identifier to cite or link to this item: https://doi.org/10.18061/1811/34104
|dc.identifier.citation||Empirical Musicology Review, v3 n3 (July 2008), 136-139||en_US|
|dc.description.abstract||In this commentary, I raise several issues of method and presentation and suggest a number of follow-up experiments associated with some of these issues. Broad suggestions are also made (or rather preached): the need to deal empirically with musical emotions subtler than the oft-investigated basic emotions, and the role that interactions between musical variables may play in shaping subtle musical expression, as exemplified by some well-known xylophone soli from the orchestral repertory.||en_US|
|dc.publisher||Empirical Musicology Review||en_US|
|dc.title||Commentary on "The Happy Xylophone: Acoustics Affordances Restrict An Emotional Palate" by Michael Schutz, David Huron, Kristopher Keeton, & Greg Loewer||en_US|
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