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Please use this identifier to cite or link to this item: https://doi.org/10.18061/1811/31943

dc.creatorHoning, Henkjan
dc.creatorReips, Ulf-Dietrich
dc.date.accessioned2008-05-01T15:30:34Z
dc.date.available2008-05-01T15:30:34Z
dc.date.issued2008-04
dc.identifier.citationEmpirical Musicology Review, v3 n2 (April 2008), 73-77en_US
dc.identifier.issn1559-5749
dc.identifier.otherEMR000035c
dc.identifier.urihttps://doi.org/10.18061/1811/31943
dc.identifier.urihttp://hdl.handle.net/1811/31943
dc.description.abstractWhile in an earlier commentary (Honing & Ladinig, 2008) we stressed the potential of Web-delivered experiments for music perception research, the ongoing discussion on Web-based versus lab-based studies seems to circle around issues of method and control (Mehler, 1999; Kendall, 2008). We agree with the importance of these issues from a methodological point of view. However, we continue to stress that these issues are not essentially different for Web-based as compared to lab-based studies.en_US
dc.language.isoenen_US
dc.publisherEmpirical Musicology Reviewen_US
dc.subjectIntenet-based experimentingen_US
dc.subjectempiricalen_US
dc.subjectexperimental methoden_US
dc.titleWeb-based versus Lab-based Studies:A Response to Kendall (2008)en_US
dc.typeArticleen_US


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