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Please use this identifier to cite or link to this item: https://doi.org/10.18061/1811/31941

dc.creatorTurner, Ben
dc.creatorHuron, David
dc.date.accessioned2008-05-01T15:04:58Z
dc.date.available2008-05-01T15:04:58Z
dc.date.issued2008-04
dc.identifier.citationEmpirical Musicology Review, v3 n2 (April 2008), 64-68en_US
dc.identifier.issn1559-5749
dc.identifier.otherEMR000047a
dc.identifier.urihttps://doi.org/10.18061/1811/31941
dc.identifier.urihttp://hdl.handle.net/1811/31941
dc.description.abstractAn analysis of dynamic markings in 24 paired preludes in major and minor keys shows that the minor mode is associated with a generally lower dynamic level than the major mode. The results are consistent with observations in speech prosody, where sad or depressed speakers show reduced acoustic energy compared with normal or happy speakers.en_US
dc.language.isoenen_US
dc.publisherEmpirical Musicology Reviewen_US
dc.subjectmusicen_US
dc.subjectminor keyen_US
dc.subjectsadnessen_US
dc.subjectloudnessen_US
dc.subjectspeech prosodyen_US
dc.titleA Comparison of Dynamics in Major- and Minor-key Worksen_US
dc.typeArticleen_US


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