Response to David Temperley's Commentary
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Publisher:Empirical Musicology Review
Citation:Empirical Musicology Review, v1 n3 (July 2006), 182-184
The author responds to points raised in David Temperley’s commentary, which appeared in Vol. 1, No. 2 of Empirical Musicology Review. The response includes a discussion of strengths and limitations of atemporal models of musical perception, with particular attention to presentations such as those of Carol Krumhansl and Fred Lerdahl.
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