Response to David Temperley's Commentary
Publisher:
Empirical Musicology ReviewCitation:
Empirical Musicology Review, v1 n3 (July 2006), 182-184Abstract:
The author responds to points raised in David Temperley’s commentary, which appeared in Vol. 1, No. 2 of Empirical Musicology Review. The response includes a discussion of strengths and limitations of atemporal models of musical perception, with particular attention to presentations such as those of Carol Krumhansl and Fred Lerdahl.
Type:
ArticleISSN:
1559-5749Other Identifiers:
EMR000012cItems in Knowledge Bank are protected by copyright, with all rights reserved, unless otherwise indicated.