Research Report  Science in the Art of the Italian Renaissance II: Leonardo Da Vinci's Representation of Animals in His Works

dc.creator	Kane, Douglas D.	en_US
dc.date.accessioned	2006-07-07T18:31:33Z
dc.date.available	2006-07-07T18:31:33Z
dc.date.issued	2002-12	en_US
dc.identifier.citation	The Ohio Journal of Science. v102, n5 (December, 2002), 113-115	en_US
dc.identifier.issn	0030-0950	en_US
dc.identifier.uri	http://hdl.handle.net/1811/23942
dc.description	Author Institution: Department of Evolution, Ecology, and Organismal Biology, The Ohio State University	en_US
dc.description.abstract	Leonardo Da Vinci combined science and art in a number of his works and studies. This combination of science and art is very evident in the depiction of animals in his works. Leonardo studied both the anatomy and physiology of animals in order to render them with scientific precision. This included dissections of numerous animals and studies on their movements in nature. Leonardo Da Vinci, unified science and art, as is evident in the realistic and scientific depiction of animals in his works.	en_US
dc.format.extent	332209 bytes
dc.format.mimetype	application/pdf
dc.language.iso	en_US
dc.title	Research Report Science in the Art of the Italian Renaissance II: Leonardo Da Vinci's Representation of Animals in His Works	en_US