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What Do Interval Cycles Have To Do With Tonal Harmony?

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dc.creator Quinn, Ian
dc.date.accessioned 2011-01-14T15:58:12Z
dc.date.available 2011-01-14T15:58:12Z
dc.date.issued 2010-07
dc.identifier.citation Empirical Musicology Review, v5 n3 (July 2010), pp 84-93 en_US
dc.identifier.issn 1559-5749
dc.identifier.other EMR000087b
dc.identifier.uri http://hdl.handle.net/1811/47560
dc.description.abstract Woolhouse’s (2010) central empirical finding is a relatively high correlation between his interval-cycle proximity (ICP) model and the theorist Walter Piston’s (1979) Table of Usual Root Progressions. The fit between these two models can be understood in terms of a classification of chord progressions by root interval class (second, third, fifth) and directionality (strong, weak). The ICP model does not perform as well on data on chord progressions in Tymoczko’s (forthcoming) corpora of music by Bach and Mozart. The alternative MHP model (Quinn, 2010) does not fit the Piston data as well as the ICP model, but it fits the corpus data better than the ICP model. en_US
dc.language.iso en en_US
dc.publisher Empirical Musicology Review en_US
dc.subject Quinn en_US
dc.subject Ian en_US
dc.title What Do Interval Cycles Have To Do With Tonal Harmony? en_US
dc.type Article en_US