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Melodic Accent as an Emergent Property of Tonal Motion

Please use this identifier to cite or link to this item: http://hdl.handle.net/1811/47559

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dc.creator Ammirante, Paolo
dc.creator Thompson, William Forde
dc.date.accessioned 2011-01-14T15:53:05Z
dc.date.available 2011-01-14T15:53:05Z
dc.date.issued 2010-07
dc.identifier.citation Empirical Musicology Review, v5 n3 (July 2010), pp 94-107 en_US
dc.identifier.issn 1559-5749
dc.identifier.other EMR000088a
dc.identifier.uri http://hdl.handle.net/1811/47559
dc.description.abstract In a previous continuation tapping study (Ammirante, Thompson, & Russo, in press), each tap triggered a discrete tone in a sequence randomly varying in pitch height and contour. Although participants were instructed to ignore the tones, pitch distance and pitch contour influenced intertap interval (ITI) and tap velocity (TV). The current study replicated these findings with original melodies. Results were interpreted as an effect of apparent tonal motion, with deviation in ITI and TV mirroring implied tonal acceleration. Due to overlapping perceptual and motor representations, participants may have failed to disambiguate acceleration implied by tonal motion from the acceleration of their finger trajectory. Dissociative effects of pitch distance on ITI and pitch contour on TV implied that pitch distance influences the initial finger extension while pitch contour influences later finger flexion. Acceleration in ITI and TV were also both correlated with melodic accent strength values from perceptual data (Thomassen, 1982), suggesting that perception and production of melodic accent emerge from shared action associations. en_US
dc.language.iso en en_US
dc.publisher Empirical Musicology Review en_US
dc.subject Common Coding en_US
dc.subject pitch contour en_US
dc.subject pitch distance en_US
dc.subject melodic accent en_US
dc.title Melodic Accent as an Emergent Property of Tonal Motion en_US
dc.type Article en_US