Commentary on Leigh VanHandel’s ‘National Metrical Types in Nineteenth Century Art Song’

Please use this identifier to cite or link to this item: http://hdl.handle.net/1811/44663

Show simple item record

Files Size Format View
EMR000079c_Thomson_Commentary_2.pdf 36.82Kb PDF View/Open

dc.creator Thomson, William
dc.date.accessioned 2010-01-06T21:08:29Z
dc.date.available 2010-01-06T21:08:29Z
dc.date.issued 2009-10
dc.identifier.citation Empirical Musicology Review, v4 n4 (October 2009), 158-159 en_US
dc.identifier.issn 1559-5749
dc.identifier.other EMR000079c
dc.identifier.uri http://hdl.handle.net/1811/44663
dc.description.abstract Leigh VanHandel’s study of metrical locations or phrase beginnings and endings in art songs of the 19th century provides a glance into one property of lyric settings unstudied before. Its fastidious data can be trusted, and yet the study’s hard relevance to matters of musical substance, matters of import to a song’s perception, is questionable. en_US
dc.language.iso en en_US
dc.publisher Empirical Musicology Review en_US
dc.subject metric locations en_US
dc.subject art songs en_US
dc.subject 18th and 19th century en_US
dc.subject barring en_US
dc.subject phrasing en_US
dc.title Commentary on Leigh VanHandel’s ‘National Metrical Types in Nineteenth Century Art Song’ en_US
dc.type Article en_US