OSU Navigation Bar

The Ohio State University University Libraries Knowledge Bank

Commentary on Leigh VanHandel’s ‘National Metrical Types in Nineteenth Century Art Song’

Please use this identifier to cite or link to this item: http://hdl.handle.net/1811/44663

Show simple item record

Files Size Format View
EMR000079c_Thomson_Commentary_2.pdf 36.82Kb PDF View/Open

dc.creator Thomson, William
dc.date.accessioned 2010-01-06T21:08:29Z
dc.date.available 2010-01-06T21:08:29Z
dc.date.issued 2009-10
dc.identifier.citation Empirical Musicology Review, v4 n4 (October 2009), 158-159 en_US
dc.identifier.issn 1559-5749
dc.identifier.other EMR000079c
dc.identifier.uri http://hdl.handle.net/1811/44663
dc.description.abstract Leigh VanHandel’s study of metrical locations or phrase beginnings and endings in art songs of the 19th century provides a glance into one property of lyric settings unstudied before. Its fastidious data can be trusted, and yet the study’s hard relevance to matters of musical substance, matters of import to a song’s perception, is questionable. en_US
dc.language.iso en en_US
dc.publisher Empirical Musicology Review en_US
dc.subject metric locations en_US
dc.subject art songs en_US
dc.subject 18th and 19th century en_US
dc.subject barring en_US
dc.subject phrasing en_US
dc.title Commentary on Leigh VanHandel’s ‘National Metrical Types in Nineteenth Century Art Song’ en_US
dc.type Article en_US