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Colonization in Reverse: Diaspora, Diplomacy, and the 'People's Art'

Please use this identifier to cite or link to this item: http://hdl.handle.net/1811/36103

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dc.creator Ferris, Lesley
dc.date.accessioned 2008-12-09T14:40:42Z
dc.date.available 2008-12-09T14:40:42Z
dc.date.issued 2008
dc.identifier.uri http://hdl.handle.net/1811/36103
dc.description Research project funded in academic years 2007-08 and 2008-09 en
dc.description The University Archives has determined that this item is of continuing value to OSU's history. en
dc.description.abstract For modern multicultural societies to remain stable and secure, a variety of national and ethnic groups must negotiate their identities. Few events represent a successful negotiation as well as the Notting Hill Carnival, held each August in London. In this project, Lesley Ferris examines how Trinidadians used the carnival to negotiate their identity in modern Great Britain, a process poet Louise Bennett called "colonization in reverse." en
dc.description.sponsorship Mershon Center for International Security Studies en
dc.description.tableofcontents Project summary en
dc.language.iso en_US en
dc.subject Notting Hill Carnival en
dc.subject.lcsh Carnival -- England -- London -- Exhibitions en_US
dc.title Colonization in Reverse: Diaspora, Diplomacy, and the 'People's Art' en
dc.type Other en