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Commentary on “Comparative Analysis of Music Recordings from Western and Non-Western traditions by Automatic Tonal Feature Extraction” by Emilia Gómez, and Perfecto Herrera
Please use this identifier to cite or link to this item: http://hdl.handle.net/1811/34106
| Files | Size | Format | View | Description |
|---|---|---|---|---|
| EMR000045b-Lartillot-etal_revised.pdf | 37.10Kb |
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Revised (full-text available) | |
| EMR000045b-Lartillot-etal.pdf | 113.7Kb |
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Superseded (suppressed from view) |
| Title: | Commentary on “Comparative Analysis of Music Recordings from Western and Non-Western traditions by Automatic Tonal Feature Extraction” by Emilia Gómez, and Perfecto Herrera |
| Creators: | Lartillot, Oliver; Toiviainen, Petri; Eerola, Tuomas |
| Keywords: |
Comparative analysis
Western music Non-Western music Tonal |
| Issue Date: | 2008-07 |
| Publisher: | Empirical Musicology Review |
| Citation: | Empirical Musicology Review, v3 n3 (July 2008), 157-160 |
| Abstract: | The article by Gómez and Herrera presents an original methodology, audaciously situated on a challenging junction between computer science, cognitive science and ethnomusicology. We hope expert ethnomusicologists will understand the experimental aspect of such a cross-disciplinary undertaking, and will pardon the potential imperfection in this computational attempt toward cross-cultural understanding. Despite the few shortcomings discussed in this commentary, we think the general methodology described in this paper is of high interest. |
| ISSN: | 1559-5749 |
| Other Identifiers: | EMR000045b |
| URI: | http://hdl.handle.net/1811/34106 |
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