Empirical Musicology Review: Volume 1 (2006)

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Journal home page: http://emusicology.org

Empirical Musicology Review Vol. 1, No. 1, 2006

Editor's Note
Butler, David p. 1
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On the Growing Role of Observation, Formalization and Experimental Method in Musicology
Honing, Henkjan pp. 2-6
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Border Crossings: A Commentary on Henkjan Honing's "On the Growing Role of Observation, Formalization and Experimental Method in Musicology"
Cook, Nicholas pp. 7-11
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Varieties of Musicological Empiricism
Huovinen, Erkki pp. 12-27
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Commentary on Huovinen's "Varieties of Musical Empiricism"
Clarke, Eric F. pp. 28-32
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A Cognitive Approach to Medieval Mode: Evidence for an Historical Antecedent to the Major/Minor System
Huron, David; Veltman, Joshua pp. 33-55
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Comment on Huron and Veltman: Does a Cognitive Approach to Medieval Mode Make Sense?
Wiering, Frans pp. 56-60
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Empirical Musicology Review Vol. 1, No. 2, 2006

Calculating Sensory Dissonance: Some Discrepancies Arising from the Models of Kameoka & Kuriyagawa, and Hutchinson & Knopoff
Mashinter, Keith pp. 65-84
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Pitch Frames as Melodic Archetypes
Thomson, William pp. 85-102
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Commentary on William Thomson’s “Pitch Frames as Melodic Archetypes”
Temperley, David pp. 103-105
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The Psychophysics of Harmony Perception: Harmony is a Three-Tone Phenomenon
Cook, Norman D.; Fujisawa, Takashi X. pp. 106-126
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Review: Eric Clarke, Ways of Listening: An Ecological Approach to the Perception of Musical Meaning
Spiegelberg, Scott pp. 127-129
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Empirical Musicology Review Vol. 1, No. 3, 2006

Editor’s Note
Butler, David p. 130
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Eavesdropping with a Master: Leos Janácek and the Music of Speech
Pearl, Jonathan pp. 131-165
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An Empirical Method for Comparing Pitch Patterns in Spoken and Musical Melodies: A Comment on J.G.S. Pearl's “Eavesdropping with a Master: Leos Janácek and the Music of Speech.”
Patel, Aniruddh D. pp. 166-169
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Influence of Pitch Height on the Perception of Submissiveness and Threat in Musical Passages
Huron, David; Kinney, Daryl; Precoda, Kristin pp. 170-177
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Commentary on “The Influence of Pitch Height on the Perception of Submissiveness and Threat in Musical Passages” by David Huron, Daryl Kinney, and Kristin Precoda
Morton, Eugene S. pp. 178-179
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Commentary on “Calculating Sensory Dissonance: Some Discrepancies Arising from the Models of Kameoka & Kuriyagawa and Hutchinson & Knopoff” by Keith Mashinter
Vos, Joos pp. 180-181
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Response to David Temperley's Commentary
Thomson, William pp. 182-184
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Empirical Musicology Review Vol. 1, No. 4, 2006

The Processing of Pitch and Scale: An ERP Study of Musicians Trained Outside of the Western Musical System
Bischoff Renninger, Laura; Wilson, Michael P.; Donchin, Emanuel pp. 185-197
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Commentary on “The Processing of Pitch and Scale: An ERP Study of Musicians Trained Outside of the Western Musical System” by Bischoff Renninger, Wilson, and Donchin
Janata, Petr pp. 198-200
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Commentary on Keith Mashinter’s "Calculating Sensory Dissonance: Some Discrepancies Arising from the Models of Kameoka & Kuriyagawa, and Hutchinson & Knopoff"
Parncutt, Richard pp. 201-204
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Commentary on Cook & Fujisawa’s “The Psychophysics of Harmony Perception: Harmony is a Three-Tone Phenomenon”
Parncutt, Richard pp. 204-209
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Announcements
Butler, David pp. 210-211
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