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<dc:date>2013-06-19T00:46:59Z</dc:date>
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<title>Table of Contents</title>
<link>http://hdl.handle.net/1811/53624</link>
<description>Table of Contents
</description>
<dc:date>2012-01-01T00:00:00Z</dc:date>
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<title>Front Matter</title>
<link>http://hdl.handle.net/1811/53623</link>
<description>Front Matter
</description>
<dc:date>2012-01-01T00:00:00Z</dc:date>
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<title>From the Editor</title>
<link>http://hdl.handle.net/1811/53621</link>
<description>From the Editor
Brown, Philip C.
</description>
<dc:date>2012-01-01T00:00:00Z</dc:date>
<dc:creator>Brown, Philip C.</dc:creator>
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<item rdf:about="http://hdl.handle.net/1811/53620">
<title>"A Land Blessed by Word Spirit": Kamochi Masazumi and Early Modern Constructs of Kotodama</title>
<link>http://hdl.handle.net/1811/53620</link>
<description>"A Land Blessed by Word Spirit": Kamochi Masazumi and Early Modern Constructs of Kotodama
Thomas, Roger K.
</description>
<dc:date>2012-01-01T00:00:00Z</dc:date>
<dc:creator>Thomas, Roger K.</dc:creator>
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<item rdf:about="http://hdl.handle.net/1811/53619">
<title>Military Reform and the Illusion of Social Mobility in Bakumatsu-era Chōshū</title>
<link>http://hdl.handle.net/1811/53619</link>
<description>Military Reform and the Illusion of Social Mobility in Bakumatsu-era Chōshū
Jaundrill, D. Colin
</description>
<dc:date>2012-01-01T00:00:00Z</dc:date>
<dc:creator>Jaundrill, D. Colin</dc:creator>
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<item rdf:about="http://hdl.handle.net/1811/53618">
<title>Jippensha Ikku, Hizakurige, and Comic Storytelling</title>
<link>http://hdl.handle.net/1811/53618</link>
<description>Jippensha Ikku, Hizakurige, and Comic Storytelling
Shores, Matthew W.
</description>
<dc:date>2012-01-01T00:00:00Z</dc:date>
<dc:creator>Shores, Matthew W.</dc:creator>
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<item rdf:about="http://hdl.handle.net/1811/53617">
<title>Back Matter</title>
<link>http://hdl.handle.net/1811/53617</link>
<description>Back Matter
</description>
<dc:date>2012-01-01T00:00:00Z</dc:date>
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<item rdf:about="http://hdl.handle.net/1811/53616">
<title>Complete Issue</title>
<link>http://hdl.handle.net/1811/53616</link>
<description>Complete Issue
</description>
<dc:date>2012-01-01T00:00:00Z</dc:date>
</item>
<item rdf:about="http://hdl.handle.net/1811/51327">
<title>Table of Contents</title>
<link>http://hdl.handle.net/1811/51327</link>
<description>Table of Contents
</description>
<dc:date>2011-01-01T00:00:00Z</dc:date>
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<item rdf:about="http://hdl.handle.net/1811/51328">
<title>Front Matter</title>
<link>http://hdl.handle.net/1811/51328</link>
<description>Front Matter
Brown, Philip C.
</description>
<dc:date>2011-01-01T00:00:00Z</dc:date>
<dc:creator>Brown, Philip C.</dc:creator>
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<item rdf:about="http://hdl.handle.net/1811/51329">
<title>Life and Death, Funeral Rites and Burial Systems in Early Modern Japan</title>
<link>http://hdl.handle.net/1811/51329</link>
<description>Life and Death, Funeral Rites and Burial Systems in Early Modern Japan
Ōtō, Osamu
</description>
<dc:date>2011-01-01T00:00:00Z</dc:date>
<dc:creator>Ōtō, Osamu</dc:creator>
</item>
<item rdf:about="http://hdl.handle.net/1811/51334">
<title>Seducing the Mind: (Edo) Kabuki and the Ludic Performance</title>
<link>http://hdl.handle.net/1811/51334</link>
<description>Seducing the Mind: (Edo) Kabuki and the Ludic Performance
D'Etcheverry, Charo
</description>
<dc:date>2011-01-01T00:00:00Z</dc:date>
<dc:creator>D'Etcheverry, Charo</dc:creator>
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<item rdf:about="http://hdl.handle.net/1811/51333">
<title>Turrets of Time: Clocks and Early Configurations of Chronometric Time in Edo Fiction (1780-1796)</title>
<link>http://hdl.handle.net/1811/51333</link>
<description>Turrets of Time: Clocks and Early Configurations of Chronometric Time in Edo Fiction (1780-1796)
McGee, Dylan
</description>
<dc:date>2011-01-01T00:00:00Z</dc:date>
<dc:creator>McGee, Dylan</dc:creator>
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<item rdf:about="http://hdl.handle.net/1811/51332">
<title>Should Museums Welcome Parody? Lords of the Samurai: The Legacy of a Daimyo Family</title>
<link>http://hdl.handle.net/1811/51332</link>
<description>Should Museums Welcome Parody? Lords of the Samurai: The Legacy of a Daimyo Family
Pitelka, Morgan
</description>
<dc:date>2011-01-01T00:00:00Z</dc:date>
<dc:creator>Pitelka, Morgan</dc:creator>
</item>
<item rdf:about="http://hdl.handle.net/1811/51331">
<title>Robert Hellyer. Defining Engagement: Japan and Global Contexts, 1640-1868</title>
<link>http://hdl.handle.net/1811/51331</link>
<description>Robert Hellyer. Defining Engagement: Japan and Global Contexts, 1640-1868
Jaundrill, D. Colin
</description>
<dc:date>2011-01-01T00:00:00Z</dc:date>
<dc:creator>Jaundrill, D. Colin</dc:creator>
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<item rdf:about="http://hdl.handle.net/1811/51330">
<title>Back Matter</title>
<link>http://hdl.handle.net/1811/51330</link>
<description>Back Matter
</description>
<dc:date>2011-01-01T00:00:00Z</dc:date>
</item>
<item rdf:about="http://hdl.handle.net/1811/51326">
<title>Complete Issue</title>
<link>http://hdl.handle.net/1811/51326</link>
<description>Complete Issue
</description>
<dc:date>2011-01-01T00:00:00Z</dc:date>
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<item rdf:about="http://hdl.handle.net/1811/47489">
<title>Complete issue</title>
<link>http://hdl.handle.net/1811/47489</link>
<description>Complete issue
</description>
<dc:date>2010-01-01T00:00:00Z</dc:date>
</item>
<item rdf:about="http://hdl.handle.net/1811/47488">
<title>Back Matter</title>
<link>http://hdl.handle.net/1811/47488</link>
<description>Back Matter
</description>
<dc:date>2010-01-01T00:00:00Z</dc:date>
</item>
<item rdf:about="http://hdl.handle.net/1811/47487">
<title>William E. Clarke and Wendy E. Cobcroft. Tandai Shōshin Roku Sydney: Premodern Japanese Studies, 2009</title>
<link>http://hdl.handle.net/1811/47487</link>
<description>William E. Clarke and Wendy E. Cobcroft. Tandai Shōshin Roku Sydney: Premodern Japanese Studies, 2009
McGee, Dylan
</description>
<dc:date>2010-01-01T00:00:00Z</dc:date>
<dc:creator>McGee, Dylan</dc:creator>
</item>
<item rdf:about="http://hdl.handle.net/1811/47486">
<title>Jonathan E. Zwicker. Practices of the Sentimental Imagination: Melodrama, the Novel, and the Social Imaginary in Nineteenth- Century Japan</title>
<link>http://hdl.handle.net/1811/47486</link>
<description>Jonathan E. Zwicker. Practices of the Sentimental Imagination: Melodrama, the Novel, and the Social Imaginary in Nineteenth- Century Japan
Miller, J. Scott
</description>
<dc:date>2010-01-01T00:00:00Z</dc:date>
<dc:creator>Miller, J. Scott</dc:creator>
</item>
<item rdf:about="http://hdl.handle.net/1811/47485">
<title>Nam-lin Hur. Death and Social Order in Tokugawa Japan: Buddhism, Anti-Christianity, and the Danka System</title>
<link>http://hdl.handle.net/1811/47485</link>
<description>Nam-lin Hur. Death and Social Order in Tokugawa Japan: Buddhism, Anti-Christianity, and the Danka System
Laver, Michael
</description>
<dc:date>2010-01-01T00:00:00Z</dc:date>
<dc:creator>Laver, Michael</dc:creator>
</item>
<item rdf:about="http://hdl.handle.net/1811/47484">
<title>The History and Performance Aesthetics of Early Modern Chaban Kyōgen</title>
<link>http://hdl.handle.net/1811/47484</link>
<description>The History and Performance Aesthetics of Early Modern Chaban Kyōgen
McGee, Dylan
</description>
<dc:date>2010-01-01T00:00:00Z</dc:date>
<dc:creator>McGee, Dylan</dc:creator>
</item>
<item rdf:about="http://hdl.handle.net/1811/47483">
<title>The Politics of Poetics: Socioeconomic Tensions in Kyoto Waka Salons and Matsunaga Teitoku's Critique of Kinoshita Chōshōshi</title>
<link>http://hdl.handle.net/1811/47483</link>
<description>The Politics of Poetics: Socioeconomic Tensions in Kyoto Waka Salons and Matsunaga Teitoku's Critique of Kinoshita Chōshōshi
Lineberger, Scott Alexander
</description>
<dc:date>2010-01-01T00:00:00Z</dc:date>
<dc:creator>Lineberger, Scott Alexander</dc:creator>
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<item rdf:about="http://hdl.handle.net/1811/47482">
<title>In Appreciation of Buffoonery, Egotism, and the Shōmon School: Koikawa Harumachi's Kachō kakurenbō (1776)</title>
<link>http://hdl.handle.net/1811/47482</link>
<description>In Appreciation of Buffoonery, Egotism, and the Shōmon School: Koikawa Harumachi's Kachō kakurenbō (1776)
Brecher, W. Puck
</description>
<dc:date>2010-01-01T00:00:00Z</dc:date>
<dc:creator>Brecher, W. Puck</dc:creator>
</item>
<item rdf:about="http://hdl.handle.net/1811/47481">
<title>Executing Duty: Ōno Domain and the Employment of Hinin in the Bakumatsu Period</title>
<link>http://hdl.handle.net/1811/47481</link>
<description>Executing Duty: Ōno Domain and the Employment of Hinin in the Bakumatsu Period
Ehlers, Maren
</description>
<dc:date>2010-01-01T00:00:00Z</dc:date>
<dc:creator>Ehlers, Maren</dc:creator>
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<item rdf:about="http://hdl.handle.net/1811/47480">
<title>Embracing Death: Pure will in Hagakure</title>
<link>http://hdl.handle.net/1811/47480</link>
<description>Embracing Death: Pure will in Hagakure
Ansart, Olivier
</description>
<dc:date>2010-01-01T00:00:00Z</dc:date>
<dc:creator>Ansart, Olivier</dc:creator>
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<item rdf:about="http://hdl.handle.net/1811/47479">
<title>The Death of Kobayashi Yagobei</title>
<link>http://hdl.handle.net/1811/47479</link>
<description>The Death of Kobayashi Yagobei
Hislop, Scot
</description>
<dc:date>2010-01-01T00:00:00Z</dc:date>
<dc:creator>Hislop, Scot</dc:creator>
</item>
<item rdf:about="http://hdl.handle.net/1811/47478">
<title>Unhappiness in Retirement: "Isho" of Suzuki Bokushi (1770-1842), a Rural Elite Commoner</title>
<link>http://hdl.handle.net/1811/47478</link>
<description>Unhappiness in Retirement: "Isho" of Suzuki Bokushi (1770-1842), a Rural Elite Commoner
Moriyama, Takeshi
</description>
<dc:date>2010-01-01T00:00:00Z</dc:date>
<dc:creator>Moriyama, Takeshi</dc:creator>
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<item rdf:about="http://hdl.handle.net/1811/47477">
<title>Outcastes and Medical Practices in Tokugawa Japan</title>
<link>http://hdl.handle.net/1811/47477</link>
<description>Outcastes and Medical Practices in Tokugawa Japan
Amos, Timothy
</description>
<dc:date>2010-01-01T00:00:00Z</dc:date>
<dc:creator>Amos, Timothy</dc:creator>
</item>
<item rdf:about="http://hdl.handle.net/1811/47476">
<title>Front Matter</title>
<link>http://hdl.handle.net/1811/47476</link>
<description>Front Matter
</description>
<dc:date>2010-01-01T00:00:00Z</dc:date>
</item>
<item rdf:about="http://hdl.handle.net/1811/47475">
<title>Table of Contents</title>
<link>http://hdl.handle.net/1811/47475</link>
<description>Table of Contents
</description>
<dc:date>2010-01-01T00:00:00Z</dc:date>
</item>
<item rdf:about="http://hdl.handle.net/1811/44740">
<title>Book Review: Hiroko Johnson. "Western Influence on Japanese Art: The Akita Ranga Art School and Foreign Books"</title>
<link>http://hdl.handle.net/1811/44740</link>
<description>Book Review: Hiroko Johnson. "Western Influence on Japanese Art: The Akita Ranga Art School and Foreign Books"
Chance, Frank L.
Review of Hiroko Johnson's "Western Influence&#13;
on Japanese Art: The Akita Ranga&#13;
Art School and Foreign Books"
</description>
<dc:date>2009-01-01T00:00:00Z</dc:date>
<dc:creator>Chance, Frank L.</dc:creator>
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<item rdf:about="http://hdl.handle.net/1811/44712">
<title>Complete issue</title>
<link>http://hdl.handle.net/1811/44712</link>
<description>Complete issue
</description>
<dc:date>2009-01-01T00:00:00Z</dc:date>
</item>
<item rdf:about="http://hdl.handle.net/1811/44711">
<title>Back Matter</title>
<link>http://hdl.handle.net/1811/44711</link>
<description>Back Matter
</description>
<dc:date>2009-01-01T00:00:00Z</dc:date>
</item>
<item rdf:about="http://hdl.handle.net/1811/44710">
<title>Review Essay: robin d. gill. "Octopussy, Dry Kidney &amp; Blue Spots: Dirty Themes from 18-19c Japanese Poems", and "Mad in Translation: A Thousand Years of Kyōka, Comic Japanese Poetry in the Classic Waka Mode"</title>
<link>http://hdl.handle.net/1811/44710</link>
<description>Review Essay: robin d. gill. "Octopussy, Dry Kidney &amp; Blue Spots: Dirty Themes from 18-19c Japanese Poems", and "Mad in Translation: A Thousand Years of Kyōka, Comic Japanese Poetry in the Classic Waka Mode"
Kern, Adam L.
Argues that robin d. gill’s “paraverse” translation volumes of&#13;
Edo-period comic poetry―/Octopussy/ (on dirty /senryū /known as&#13;
/bareku/) and /Mad in Translation/ (on /kyôka/)―while wonderfully&#13;
eccentric and not punctiliously scholarly, nevertheless contribute to&#13;
Edo studies.
</description>
<dc:date>2009-01-01T00:00:00Z</dc:date>
<dc:creator>Kern, Adam L.</dc:creator>
</item>
<item rdf:about="http://hdl.handle.net/1811/44709">
<title>When Eccentricity Is Virtue: Virtuous Deeds in Kinsei kijinden (Eccentrics of Our Times, 1790)</title>
<link>http://hdl.handle.net/1811/44709</link>
<description>When Eccentricity Is Virtue: Virtuous Deeds in Kinsei kijinden (Eccentrics of Our Times, 1790)
Kameya, Patti
</description>
<dc:date>2009-01-01T00:00:00Z</dc:date>
<dc:creator>Kameya, Patti</dc:creator>
</item>
<item rdf:about="http://hdl.handle.net/1811/44708">
<title>Front Matter</title>
<link>http://hdl.handle.net/1811/44708</link>
<description>Front Matter
</description>
<dc:date>2009-01-01T00:00:00Z</dc:date>
</item>
<item rdf:about="http://hdl.handle.net/1811/44707">
<title>Table of Contents</title>
<link>http://hdl.handle.net/1811/44707</link>
<description>Table of Contents
</description>
<dc:date>2009-01-01T00:00:00Z</dc:date>
</item>
<item rdf:about="http://hdl.handle.net/1811/36295">
<title>Basic Style Guidelines for Final Manuscripts</title>
<link>http://hdl.handle.net/1811/36295</link>
<description>Basic Style Guidelines for Final Manuscripts
</description>
<dc:date>2008-01-01T00:00:00Z</dc:date>
</item>
<item rdf:about="http://hdl.handle.net/1811/36294">
<title>From the Editor</title>
<link>http://hdl.handle.net/1811/36294</link>
<description>From the Editor
</description>
<dc:date>2008-01-01T00:00:00Z</dc:date>
</item>
<item rdf:about="http://hdl.handle.net/1811/36293">
<title>Front Matter</title>
<link>http://hdl.handle.net/1811/36293</link>
<description>Front Matter
</description>
<dc:date>2008-01-01T00:00:00Z</dc:date>
</item>
<item rdf:about="http://hdl.handle.net/1811/36292">
<title>Table of Contents</title>
<link>http://hdl.handle.net/1811/36292</link>
<description>Table of Contents
</description>
<dc:date>2008-01-01T00:00:00Z</dc:date>
</item>
<item rdf:about="http://hdl.handle.net/1811/36291">
<title>Samurai and the World of Goods: the Diaries of the Toyama Family of Hachinohe</title>
<link>http://hdl.handle.net/1811/36291</link>
<description>Samurai and the World of Goods: the Diaries of the Toyama Family of Hachinohe
Vaporis, Constantine N.
</description>
<dc:date>2008-01-01T00:00:00Z</dc:date>
<dc:creator>Vaporis, Constantine N.</dc:creator>
</item>
<item rdf:about="http://hdl.handle.net/1811/36287">
<title>Encountering the World: Kawai Tsugunosuke's 1859 Journey to Yokohama and Nagasaki</title>
<link>http://hdl.handle.net/1811/36287</link>
<description>Encountering the World: Kawai Tsugunosuke's 1859 Journey to Yokohama and Nagasaki
Nenzi, Laura
Describes Kawai Tsugunosuke's journey in 1859 via his travel diaries, the people he encountered, his intellectual growth and especially his eagerness to make contact with foreigners trading with Japan.
</description>
<dc:date>2008-01-01T00:00:00Z</dc:date>
<dc:creator>Nenzi, Laura</dc:creator>
</item>
<item rdf:about="http://hdl.handle.net/1811/36286">
<title>Banquets Against Boredom: Towards Understanding (Samurai) Cuisine in Early Modern Japan</title>
<link>http://hdl.handle.net/1811/36286</link>
<description>Banquets Against Boredom: Towards Understanding (Samurai) Cuisine in Early Modern Japan
Rath, Eric C.
Examines the Samurai cuisine in the early modern period and its influence in the development of modern Japanese cuisine and customs
</description>
<dc:date>2008-01-01T00:00:00Z</dc:date>
<dc:creator>Rath, Eric C.</dc:creator>
</item>
<item rdf:about="http://hdl.handle.net/1811/36283">
<title>Sound and Sense: Chōka Theory and Nativist Philology in Early Modern Japan and Beyond</title>
<link>http://hdl.handle.net/1811/36283</link>
<description>Sound and Sense: Chōka Theory and Nativist Philology in Early Modern Japan and Beyond
Thomas, Roger
</description>
<dc:date>2008-01-01T00:00:00Z</dc:date>
<dc:creator>Thomas, Roger</dc:creator>
</item>
<item rdf:about="http://hdl.handle.net/1811/36282">
<title>Carol Richmond Tsang War and Faith: Ikkō Ikki in Late Muromachi Japan</title>
<link>http://hdl.handle.net/1811/36282</link>
<description>Carol Richmond Tsang War and Faith: Ikkō Ikki in Late Muromachi Japan
Gay, Suzanne
Review of Tsang, Carol Richmond, War and Faith: Ikkō Ikki in Late Muromachi Japan, Harvard University Asia&#13;
Center, Cambridge, MA, 2007
</description>
<dc:date>2008-01-01T00:00:00Z</dc:date>
<dc:creator>Gay, Suzanne</dc:creator>
</item>
<item rdf:about="http://hdl.handle.net/1811/36281">
<title>The Dao of Nineteenth-Century Japanese Nativist Healing: A Chinese Herbal Supplement to Faith Healing</title>
<link>http://hdl.handle.net/1811/36281</link>
<description>The Dao of Nineteenth-Century Japanese Nativist Healing: A Chinese Herbal Supplement to Faith Healing
Hansen, Wilburn
This article seeks to suggest in detail how Chinese medical practices became acceptable to the nineteenth-century nativist Hirata Atsutane, whose extreme anti-Chinese bias made such acceptance highly problematic. A related goal is to introduce the little-known medical contributions of Atsutane, who has formerly been seen only as a nationalist pedagogue. This short examination of his writings on medicine attempts to illuminate nineteenth-century opinions concerning what we today would identify as faith healing and traditional Chinese herbal medical practices.
</description>
<dc:date>2008-01-01T00:00:00Z</dc:date>
<dc:creator>Hansen, Wilburn</dc:creator>
</item>
<item rdf:about="http://hdl.handle.net/1811/36280">
<title>Celebrating Kyō: The Eccentricity of Bashō and Nampo</title>
<link>http://hdl.handle.net/1811/36280</link>
<description>Celebrating Kyō: The Eccentricity of Bashō and Nampo
Qiu, Peipei
This paper examines how kyō or eccentricity constituted an important part of the creativity of both Matsuo Bashō (1644–1694), the greatest haikai (comic linked verse) poet, and Ōta Nampo (1749–1823), the best kyōshikyōbun (Chinese-style eccentric poem and prose) writer. It demonstrates that while both of them excelled at what Haruo Shirane has called “the literature of reversal”, Bashō’s kyō often works effectively in turning the earthy and the aberrant to the lofty and the spiritual, and Nampo’s tends to bring the refined and the classical down to the vulgar, funny, even crude meaning in claiming a distinctive poetic world of his own.
</description>
<dc:date>2008-01-01T00:00:00Z</dc:date>
<dc:creator>Qiu, Peipei</dc:creator>
</item>
</rdf:RDF>
